Yousef Karsh - Master Portrait Photographer of the 20th Century
By the time I got back to my camera, he looked so belligerent he could have devoured me. It was at that instant that I took the photograph."
Yousuf Karsh, "Winston Churchill" Digital Scan of Photograph, 1941, http://karsh.org/photographs/winston-churchill
Winston Churchill was Prime Minister of the United Kingdom from 1940-45 and 1951-55. He is remembered by history as a strong leader, crass, and brutish. He was a bull dog of a man and chain smoked big fat cigars. This is however a photography blog, so we are going to discuss not the Englishman, but the Armenian immigrant who lived in Canada.
Yousuf Karsh was a portrait photographer in the twentieth century and one of my favorite photographers of all time. Karsh himself admits....
“My portrait of Winston Churchill changed my life. I knew after I had taken it that it was an important picture, but I could hardly have dreamed that it would become one of the most widely reproduced images in the history of photography.”
Churchill was visiting Ottowa, giving speeches to rally the world to the cause of defeating Hitler and Mussolini. You can listen to the highlights of the speech here.
Anyway, As Karsh explains the encounter, Churchill was being escorted by Canadian Prime Minister Mckenzie King and their entourages. Having no idea Canada was planning a photo op...
"I switched on my floodlights; a surprised Churchill growled, ‘What’s this, what’s this?’ No one had the courage to explain."
After timidly explaining he would like to create a portrait for the occasion, Churchill lit a cigar, began to puff, and relented.... "You may take one."
Refusing to give up his cigar, Karsh began double checking all the settings on his lights and camera and probably shaking a little under the pressure of getting it perfect in one shot. Karsh explains the rest of the story best....
"He continued to chomp vigorously at his cigar. I waited. Then I stepped toward him and, without premeditation, but ever so respectfully, I said, ‘Forgive me, sir,’ and plucked the cigar out of his mouth. By the time I got back to my camera, he looked so belligerent he could have devoured me. It was at that instant that I took the photograph."
Karsh is one of the most notable photographers of his time, creating portraits of Bogart and Bacall, the Apollo II crew, and Muhammad Ali, to name just a few. This photo he did for Ford of Canada is a testament to his compositional and lighting expertise. It is difficult to understand the amount of thought that goes into these photos unless you have taken one with a film SLR before.
In general, Karsh's portraits can be described as simple but intimate. Each portrait he takes seems to capture the subject in an unscripted moment of internal thought. This is ever present in the hopeful stare of Martin Luther King Jr. the Civil Rights leader. You can also see it in Ernest Hemingway's detached stare into the distance, Muhammad Ali's confident smile, or Andy Warhol's playful gaze.
When you photography tells you capturing the essence of the subject in your photo, this is what they have in mind. Yousuf Karsh could write the book on photographing people. His style is simple and to the point, we can all learn a lot by staring at his photographs. His understanding of light, exposure, and his camera is nothing short of admirable.
Just remember if you work hard enough, you can move mountains. And if you're as good as Yousuf Karsh you can get the belligerent Churchill to smirk.
Out of the Woods
See a photographers modern take on classic fairy tale characters. If Disney princesses were 21st century college students.
At one point in your life, you will experience a sort of crucible. An event which influences your perception of the world and tests your inner character. Whether or not you rise to the challenge, you come out a changed person. The old fairy tales and stories which have been passed down through generations illustrated this concept through a common motif. The Dark Woods, the Enchanted forest, whatever the name the character usually came out on the other side stronger with fewer illusions about the world around them.
My goal is to bring these characters into the 21st century, exploring the fictional characters classic motifs using modern college student experiences. Thus establishing the relationship between the past and present. Maybe you see yourself in these characters as you did growing up reading about them or watching TV.
As a veteran, I understand first hand that you learn a lot of things when you enlist into the military. Aside from how to accurately fire a rifle or applying a tourniquet, you learn how to become a functioning adult. When I returned to college after five years of active duty, I saw these kids in college going through similar life lessons. I would argue that college is to these students what the forest was for snow white, or the military was for myself: a coming of age ritual.
These portraits debut at the DOWD Fine Arts Center at SUNY Cortland March, 2017. You can see them all here of course. I hope to grow this collection and maybe revisit some of the characters.
